Remember When… You First Saw The Great Morgani?

By Melissa Spiers

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When The Great Morgani plays his accordion on Pacific Avenue, you can expect just about anything from his legendary costumes—traffic cones, dime-store cups, padded fish, plastic bottles, shower heads—but you will never see his face. “I get dressed in the parking garage and stay in costume until I get home,” says the man behind the masks, accordionist and performance artist Frank Lima. “I think it’s important to maintain the illusion, the magic. It’s all about fun, after all.”

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Over the past 20 years, The Great Morgani’s ever-astounding costumes and music have made him a local legend. Born in Los Banos, Lima’s family moved to Santa Cruz in 1947 when he was 5 years old. He became a stockbroker straight out of Santa Cruz High School and did well enough to retire at the age of 35. But retirement did not suit him, and a decade later he decided to turn his accordion-playing skills into a creative hobby.

That hobby requires a great deal of work, however, and it comes with some very interesting risks. A self-taught costumer, Lima puts in more than 100 hours on some looks, creating and sewing them on a 1943 Singer that originally belonged to his mother. He finds inspiration in everything from his extensive travels to actor Tim Conway and grocery-store SKU labels to the Fellini film 8 ½. His elaborate creations include platform shoes that weigh up to 10 pounds, a covered accordion (weighing in at nearly 30 pounds), gloves, the all-important mask, and a variety of other props and gadgets from mannequins to bicycles.

Lima has learned through trial and error not to wear outrageous shoes on high platform boxes (he’s had too many spills to count), not to incorporate funny posture positions (like the Leaning Tower of Squeeza, which left his back crimped for days), and not to play for more than a few hours at a time (he cannot get in and out of costumes easily for bathroom breaks and cannot eat or drink with most full-face masks, so he consumes nothing before or during performances and, as a result, has battled dehydration and dizziness during long hours on his feet). He handles it all with great charm and humor, however, promising—now at age 75—to continue performing as The Great Morgani as long as he still enjoys it. “It’s not about the music … I’m honestly a little tired of the music,” he says with a big wink and grin. “I am representing myself as an artist and Santa Cruz as a community. The biggest compliment is when people say I make them smile.”


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  1. Pets: “Twenty years ago pets were now allowed on the avenue. I think there are more people on the avenue now because pets are allowed. I’m OK with the pets, it is the people that could use some training: I actually had a little dog stop and piddle upon my money box whilst the owners were completely unaware.”
  2. Smoking: “It is wonderful—no smoking is allowed [now] on Pacific Avenue, even though still some people decide to puff along.”
  3. Retail: “I remember that if you were performing on the Avenue, you could not sell your CD, or do any kind of retail business. Well, that sure has changed now, and there are more people selling stuff than there are musicians. If you are selling, it has to be something you made [or] produced. … I had better get back to knitting my accordion-shaped potholders.”



Costume Highlights

  1. Lima covered himself, his accordion, his Geo Metro convertible, two mannequins and two surfboards with stretch fabric to create “Bikini Surfer Babes from the Planet Barcode” for Halloween 2001. He recalls that the three-breasted aliens were of particular interest to hordes of pre-teen boys.
  2. His “The Fourth of July” pinwheel get-up inspired one woman to interrupt his rendition of “Yankee Doodle Dandy” demanding to know why the pinwheel on his crotch didn’t spin like the others.
  3. “Gyrosphere” was created for the 2012 fashionART Santa Cruz event using PVC pipe and stretch snakeskin, and was on display at the Museum of Art & History for a while. “I wanted to push the envelope,” says Lima. “People notice head and feet first and foremost, so I just made those bigger and bigger.”
  4. Lima created an impromptu wall sculpture made from dollar-store plastic cups to stage his mother’s apartment for sale. When the apartment sold he had a new “Aqua Accordionist” costume.
  5. In 2012, Lima was vacationing in Paris when he spotted a photo that inspired him to rush back to Santa Cruz on Oct. 29, where he raced to create a “Monster In A Box” Halloween costume. It was a “disaster from the get go,” he jokes, recalling how he hastily struggled into the costume on the street and spent the rest of the afternoon suspecting that his pants were falling down. He didn’t have enough room inside the cage to play his accordion properly (the intended song was, of course, Engelbert Humperdinck’s “Please Release Me”), and he ended up leaving after an hour with a whopping $2.37 in tips.


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In His Own Words: Lima’s book The Great Morgani: The Creative Madness of A Middle-Aged Stockbroker Turned Street Musician can be purchased at Bookshop Santa Cruz.


2 comments on “Remember When… You First Saw The Great Morgani?

  1. I just picked up the June/July 2017 issue and the cover is very good! BUT, where can I find, in the magazine, who the photographer was? Maybe you need to put that info. in a place the reader can find it easily.

  2. The cover info is always in the mag. towards the beginning where all the editors and writers names are listed.

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