COMPANY FEATURE | The Guitar Whisperer

Reflecting on the spirit of our town with Santa Cruz Guitar Company’s Richard Hoover

By J.D. Ramey

Photos By Carolyn Sills

Maybe there’s something in the water, or maybe there’s an invisible vortex of energy emanating from The Mystery Spot, but for whatever reason, Santa Cruz has long been a magnet for freethinkers, radicals, artists, street performers, punks, Deadheads, dread-heads and outside-the-box characters of all stripes. This point isn’t lost on Richard Hoover, who is still feeling the magic more than four and a half decades since he became a permanent resident of this town.

Richard Hoover of Santa Cruz Guitar CompanyCC

“Santa Cruz is really special, and it’s not something that happened in the ’60s that made it so,” muses Hoover, who has been overseeing the high-end acoustic guitar company Santa Cruz Guitar Company (SCGC) for more than 40 years. “It’s not the current paradigm of student mix or what’s going on culturally in the country. It was like this in the 1860s. It’s always drawn people that were expatriates: a little quirky, a little odd—especially artistic people.”

As befits an establishment that represents a laidback town like Santa Cruz, SCGC’s company goal is peace of mind and quality of life for its customers as well as for its staff. Some by-products of this commitment are the relatively small number of instruments the business manufactures—roughly 500 to 700 per year—and the famously high quality of the guitars that it produces: SCGC’s instruments have won the favor of such notable players as Eric Clapton, David Crosby, Ben Harper and Joan Baez, and high-profile musicians like Brad Paisley, Janis Ian and Tony Rice have gone so far as to put out signature SCGC models.

Hoover actively seeks out ways to make his employees’ lives better, easier and less stressful, whether that applies to the contents of vending machines, the lighting in the building or improved methods of making guitars. “The quality level that we have is impossible to get by threatening people or bribing people,” he states. “It has to be something that somebody is invested in personally. They’ve got their heart in it, and they want to see the final product be as cool as possible.”

SCGC also promotes equanimity through its sustainable business practices. The company sources its wood mostly from small families in regions like the Swiss Alps, India and the San Joaquin Valley, exclusively using reclaimed and sustainably yielded materials. “[The trees] could have fallen from natural causes; they could be sunk in a lake; they could be part of an old building or they could be the discardable tree trunk of walnut,” Hoover notes. “That only has a certain productive life.”

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This gives SCGC’s staff the peace of mind that comes from knowing they’re not funding slave labor or supporting the transport of military weapons or drugs, which occurs in areas where many companies get their tropical woods. As Hoover puts it, “You know you’re not compromising your soul to do your job.”

Hoover’s life as a luthier began at age 16. While he was strumming a guitar to pass the time before his girlfriend came home from school, he had the revelation that if he took the instrument apart, he might be able to figure out how to rebuild it. The odds were in his favor: His father, who worked in wood, metal, plastic and foam, often had his children make their own toys, not to mention take things apart to figure out how they worked. His mother, a reference librarian (“the Google of the day,” Hoover notes) suggested he find books that would show him how to put the guitar back together. In the absence of books on making steel-string guitars, Hoover gathered his information from treatises, diaries and analyses of violin-making and then applied this knowledge to the guitar.

The next key event in his career took place while he was working as a performing singer/songwriter. When he applied for a loan in the fall of 1972 to replace a stolen guitar, he discovered that his loan officer, Bruce McGuire, was a guitar maker. In the neighborly spirit of a true Santa Cruzan, McGuire taught him the ways of luthiery.

All these years later, Hoover’s passion for guitars hasn’t diminished in the least. He attributes his enduring enthusiasm for his work to its connection to something larger.

Rick Barto of Santa Cruz Guitar Company

“The guitar is something I love [and] always have, but it’s only a vehicle in our true mission, which is to show people how to live right and treat other people well,” he says. “People are happy when they come in here, and they’re even happier when they leave.”

Santa Cruz Guitar Company, 151 Harvey West Blvd., Ste. C,
Santa Cruz, (831) 425-0999;, santacruzguitar.com.     


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